{"id":2190,"date":"2026-02-03T14:53:58","date_gmt":"2026-02-03T13:53:58","guid":{"rendered":"https:\/\/metallover.ch\/blog\/?p=2190"},"modified":"2026-02-03T15:00:59","modified_gmt":"2026-02-03T14:00:59","slug":"bronze-et-artisanat-ottostumm-mogs-x-metallover-forgent-un-nouveau-partenariat","status":"publish","type":"post","link":"https:\/\/metallover.ch\/blog\/bronze-et-artisanat-ottostumm-mogs-x-metallover-forgent-un-nouveau-partenariat\/","title":{"rendered":"Bronze et artisanat : Metallover X Ottostumm | Mogs forgent un nouveau partenariat"},"content":{"rendered":"

English version available here.
\n<\/em><\/a><\/p>\n

Dans cette interview crois\u00e9e, Yves Linder, CEO, et Daniel Hofmann, Directeur administratif de Metallover SA, \u00e9changent avec Michele Bortolon, CTO, et Rossella Ascione, COO d’Ottostumm | Mogs, au sujet de leur partenariat en pleine \u00e9volution autour du bronze architectural. Plut\u00f4t qu\u2019une relation fournisseur-client classique, ils d\u00e9crivent une collaboration anim\u00e9e par une passion commune pour la beaut\u00e9 du bronze, et pour son application artisanale, authentique et sensible.<\/strong><\/p>\n

Daniel, comment avez-vous d\u00e9couvert Ottostumm pour la premi\u00e8re fois ?<\/strong>
\nDaniel Hofmann<\/strong> : Tout a commenc\u00e9 par une rencontre lors d\u2019un salon professionnel, suivie d\u2019une visite personnelle. Nous sommes all\u00e9s voir la villa restaur\u00e9e d\u2019Ottostumm en Italie, o\u00f9 toutes les fen\u00eatres et portes \u00e9taient en bronze. Voir le bronze dans son contexte a tout chang\u00e9. Ce n\u2019\u00e9tait pas seulement sp\u00e9cial ou noble, c\u2019\u00e9tait architectural, dot\u00e9 d\u2019une v\u00e9ritable pr\u00e9sence. Ce fut le moment o\u00f9 nous avons per\u00e7u le bronze autrement, et o\u00f9 nous avons compris que nous pouvions construire un v\u00e9ritable partenariat.
\nRossella Ascione<\/strong> : Cette rencontre a \u00e9galement \u00e9t\u00e9 importante pour nous ! D\u00e8s le premier jour, Metallover a compris que le bronze a son propre caract\u00e8re, et qu\u2019il ne peut pas \u00eatre trait\u00e9 simplement comme une finition de surface ou une option premium. Nous avons aussi d\u00e9couvert que nous partagions une philosophie autour de la mati\u00e8re, de la patience et de l\u2019humain au c\u0153ur de la fabrication.<\/p>\n

\"\"

@ Courtesy Ottostumm Mogs<\/p><\/div>\n

Votre passion commune est palpable. Qu\u2019est-ce qui fait la force de ce partenariat et quelles en sont les compl\u00e9mentarit\u00e9s ?<\/strong>
\nDH<\/strong> : Notre partenariat n\u2019a rien d\u2019un arrangement commercial classique ! Il repose sur une compr\u00e9hension mutuelle : les fen\u00eatres et les portes ne sont pas seulement des \u00e9l\u00e9ments fonctionnels, mais des composantes essentielles de l\u2019identit\u00e9 d\u2019un b\u00e2timent. C\u2019est un partenariat technique, mais fond\u00e9 sur des valeurs partag\u00e9es : connexion, sensibilit\u00e9, confiance, \u00e9nergie \u2014 chacun se concentrant sur la bonne solution pour le bon projet.
\nYves Linder<\/strong> : Nos compl\u00e9mentarit\u00e9s proviennent du fait qu\u2019Ottostumm apporte son expertise dans la conception de syst\u00e8mes et de profils en bronze, tandis que Metallover apporte l\u2019exp\u00e9rience pratique du fa\u00e7onnage, du soudage et de l\u2019assemblage manuel du bronze, qui ne peut \u00eatre produit ni fini enti\u00e8rement par des machines ou des proc\u00e9d\u00e9s automatis\u00e9s. La culture d\u2019atelier et l\u2019approche artisanale de Metallover permettent d\u2019adapter le bronze \u00e0 chaque projet.
\nRA<\/strong> : La conception seule ne suffit pas sans un partenaire qui comprend comment le bronze r\u00e9agit lorsqu\u2019il est soud\u00e9, coup\u00e9, manipul\u00e9 ou install\u00e9, et Metallover poss\u00e8de la connaissance et la sensibilit\u00e9 n\u00e9cessaires. Nous travaillons si bien ensemble parce que nous partageons tous les m\u00eames priorit\u00e9s : confiance, pr\u00e9cision et compr\u00e9hension commune de la mani\u00e8re dont le bronze doit \u00eatre trait\u00e9 et fabriqu\u00e9 dans les projets architecturaux.<\/p>\n

\"\"<\/p>\n

Pouvez-vous bri\u00e8vement d\u00e9crire l\u2019histoire d\u2019Ottostumm et ce qui distingue votre approche du bronze ?
\n<\/strong>RA<\/strong> : Ottostumm a pass\u00e9 des ann\u00e9es \u00e0 perfectionner des syst\u00e8mes, des profils et des techniques en bronze architectural. Le bronze n\u2019est pas une finition ou une mise \u00e0 niveau visuelle, c\u2019est un \u00ab mat\u00e9riau vivant \u00bb. Il a son propre caract\u00e8re, il \u00e9volue dans le temps, d\u00e9veloppe une patine, diff\u00e8re entre l\u2019hiver et l\u2019\u00e9t\u00e9, tout en restant structurellement permanent et jamais fig\u00e9. En r\u00e9sum\u00e9 : nous sommes amoureux de ce mat\u00e9riau !
\nDH<\/strong> : Le bronze poss\u00e8de une pr\u00e9sence, une r\u00e9sonance \u00e9nerg\u00e9tique, voire une \u00e2me. Il a du poids, de la chaleur, une tactilit\u00e9. Le bronze architectural n\u2019est ni un rev\u00eatement ni un traitement de surface appliqu\u00e9 \u00e0 des profils standards. Il \u00e9volue visuellement, se transformant au contact de l\u2019air, de la lumi\u00e8re, de l\u2019humidit\u00e9 et du temps. Cette qualit\u00e9 le distingue des autres mat\u00e9riaux et en fait un mat\u00e9riau profond\u00e9ment architectural.<\/p>\n

Qu\u2019est-ce qui rend le bronze unique pour Ottostumm, tant sur le plan technique qu\u2019esth\u00e9tique ?<\/strong>
\nMB<\/strong> : Le bronze n\u2019est pas li\u00e9 \u00e0 une typologie de b\u00e2timent, mais \u00e0 une intention \u2014 qu\u2019il s\u2019agisse d\u2019une restauration, d\u2019une villa contemporaine, d\u2019un b\u00e2timent culturel, d\u2019une commande sur mesure ou d\u2019une r\u00e9sidence con\u00e7ue par un architecte o\u00f9 la pr\u00e9sence du mat\u00e9riau joue un r\u00f4le fondamental. On choisit le bronze parce qu\u2019il se ressent, parce que le client en reconna\u00eet la beaut\u00e9, la complexit\u00e9 et l\u2019impact \u00e9motionnel.
\nRA<\/strong> : Exactement, le bronze appartient \u00e0 un march\u00e9 tr\u00e8s r\u00e9duit, une \u00ab niche dans la niche \u00bb !<\/p>\n

\"\"<\/p>\n

Pouvez-vous d\u00e9crire la polyvalence du bronze et son utilisation \u00e0 la fois dans les projets patrimoniaux et contemporains ?
\n<\/strong>MB<\/strong> : La nature multifacette du bronze est l\u2019une de ses plus grandes forces. Les profils en bronze architectural d\u2019Ottostumm sont utilis\u00e9s aussi bien dans la restauration patrimoniale que dans l\u2019architecture contemporaine ; un m\u00eame profil peut remplacer une menuiserie historique dans un palazzo v\u00e9nitien ou constituer un cadre \u00e9l\u00e9gant pour une villa moderne sur le lac L\u00e9man.
\nRA<\/strong> : Le bronze porte en lui une dualit\u00e9 : une continuit\u00e9 historique avec une pertinence contemporaine. C’est \u00ab un design hors du temps \u00bb.<\/p>\n

C\u00f4t\u00e9 projets, qu\u2019est-ce qui motive finalement les clients \u00e0 choisir le bronze ?
\n<\/strong>DH<\/strong> : Les clients r\u00e9agissent au bronze d\u2019une mani\u00e8re rarement observ\u00e9e avec les m\u00e9taux conventionnels. Le bronze suscite une r\u00e9action \u00e9motionnelle, presque instinctive, davantage li\u00e9e \u00e0 sa pr\u00e9sence qu\u2019\u00e0 sa performance. Il fait \u00e9voluer les discussions : on ne parle plus budget ou sp\u00e9cifications, mais ambiance, intention, identit\u00e9. Quand le bronze est dans un projet, on ne parle plus de prix, on r\u00e9agit \u00e0 sa pr\u00e9sence.
\nMB<\/strong> : Quand on voit quelque chose de beau, on se demande ce qu\u2019il y a derri\u00e8re\u2026 Les gens voient le bronze et ressentent imm\u00e9diatement quelque chose d\u2019unique.
\nRA<\/strong> : \u00c0 un moment donn\u00e9, les clients cessent de parler de syst\u00e8mes, de budgets ou de sp\u00e9cifications, ils ressentent simplement l\u2019\u00e9nergie.
\nDH<\/strong> : Le projet se r\u00e9organise parfois autour du bronze. Il passe du statut de d\u00e9tail \u00e0 celui d\u2019ancrage. Mais le bronze doit \u00eatre int\u00e9gr\u00e9 t\u00f4t dans un projet : introduit trop tard, il risque d\u2019\u00eatre per\u00e7u comme une simple finition ou une option premium. Consid\u00e9r\u00e9 d\u00e8s le d\u00e9part, il peut d\u00e9finir les proportions, les rythmes, la forme et la hi\u00e9rarchie spatiale.<\/p>\n

\"\"<\/p>\n

Comment percevez-vous le bronze dans la pratique quotidienne de Metallover ?<\/strong>
\nYL<\/strong> : Pour Metallover, le bronze est \u00e0 la fois une opportunit\u00e9 et un d\u00e9fi. Contrairement \u00e0 l\u2019aluminium ou au PVC, il ne peut pas \u00eatre d\u00e9coup\u00e9 ou assembl\u00e9 m\u00e9caniquement. Chaque soudure, chaque angle, chaque joint demande un jugement manuel, ce qui implique \u00e0 la fois un risque et un potentiel de raffinement. Sa surface ne cache pas les imperfections, elle les r\u00e9v\u00e8le. C\u2019est pourquoi le bronze ne peut pas \u00eatre produit en masse et pourquoi Ottostumm confie ses syst\u00e8mes en bronze architectural uniquement \u00e0 des ateliers s\u00e9lectionn\u00e9s comme le n\u00f4tre.
\nDH<\/strong> : L\u2019acier et le bronze sont parmi les seuls types de fen\u00eatres encore fabriqu\u00e9s \u00e0 la main ; presque tout le reste est assembl\u00e9 par des machines. Chaque angle, chaque soudure demande du temps, des ajustements, une interpr\u00e9tation. Les clients ne r\u00e9alisent pas toujours qu\u2019ils regardent quelque chose de totalement artisanal.<\/p>\n

Comment votre \u00e9quipe a-t-elle int\u00e9gr\u00e9 de nouvelles techniques ou processus pour garantir qualit\u00e9 et service dans le travail du bronze ?
\n<\/strong>YL<\/strong> : En pr\u00e9vision de prochains projets collaboratifs avec Ottostumm, nous avons int\u00e9gr\u00e9 de nouveaux protocoles de soudage, allong\u00e9 les d\u00e9lais de fabrication et mis en place des tests d\u2019assemblage sp\u00e9cifiques \u00e0 chaque projet. L\u2019installation est tout aussi critique, car les \u00e9l\u00e9ments en bronze doivent \u00eatre pos\u00e9s avec une grande pr\u00e9cision, dans des configurations o\u00f9 le poids du vitrage, les tol\u00e9rances, les mouvements climatiques et le comportement du mat\u00e9riau doivent \u00eatre anticip\u00e9s.<\/p>\n

\"\"<\/p>\n

Que r\u00e9serve l\u2019avenir de ce partenariat prometteur ?
\n<\/strong>DH<\/strong> : Nous consid\u00e9rons le bronze moins comme un produit que comme une qu\u00eate commune d\u2019excellence. Nous ne cherchons pas une expansion commerciale massive ! Nous donnons la priorit\u00e9 aux projets d\u00e9finis par notre passion partag\u00e9e, leur pertinence et leur valeur architecturale \u00e0 long terme.
\nYL<\/strong> : Pour Metallover, ce partenariat marque une \u00e9volution identitaire, du travail d\u2019excellence sur l\u2019acier vers l\u2019artisanat du bronze architectural.
\nMB<\/strong> : Et pour Ottostumm, il offre une connexion plus profonde entre l\u2019ing\u00e9nierie des syst\u00e8mes et l\u2019expression construite.
\nDH<\/strong> : Quand la vision, la mati\u00e8re et le savoir-faire s\u2019alignent vraiment, cela se ressent. Il y a quelque chose de diff\u00e9rent dans ces projets en bronze, quelque chose de vivant, avec du caract\u00e8re, de l\u2019\u00e9nergie et une \u00e2me.<\/p>\n

\u00a0<\/span><\/p>\n

\n

 <\/p>\n

Bronze and Craft: Metallover X Ottostumm | Mogs<\/b> forge a new partnership<\/b><\/h1>\n
\"\"

From left to right: Yves Linder, CEO, and Daniel Hofmann, Administrative Director of Metallover SA \u2013 Rossella Ascione, COO, and Michele Bortolon, CTO of Ottostumm<\/p><\/div>\n

In this joint interview, Daniel Hofmann, Administrative Director, and Yves Linder, CEO of Metallover SA speak with Michele Bortolon CTO and Rossella Ascione, COO of Ottostumm | Mogs, about their evolving partnership with architectural bronze. Rather than a transactional supplier relationship, they describe a partnership driven by a shared passion for the beauty of bronze, and its soulful, artisan application.\u00a0\u00a0<\/strong><\/p>\n

Daniel, how did you first come across Ottostumm?<\/span><\/b>
\nDaniel Hofmann:<\/span><\/b>\u202fIt started with a meeting at a trade fair, and then a personal visit. We went to see Ottostumm\u2019s restored villa in Italy, where all the windows and doors were bronze. Seeing bronze in context changed everything. It was not just that it was special or noble, it was architectural and had presence. That was the moment we understood bronze differently and realised we could build a real partnership.<\/span>
\nRossella Ascione:<\/span><\/b>\u202fThat meeting was meaningful for us too! From day one, Metallover understood that bronze has its own character, and cannot just be treated as a surface finish or a premium accent. We also found that we shared a philosophy around material, patience and the human aspect of fabrication.<\/span>\u00a0<\/span><\/p>\n

\"\"

@ Courtesy Ottostumm Mogs<\/p><\/div>\n

The shared passion between you is palpable. What makes this partnership work so well, and what are the complementarities?<\/span><\/b>
\nDH: <\/span><\/b>Our partnership is not a typical business arrangement! It is built on a mutual understanding that windows and doors are not just functional elements, but defining features of a building\u2019s identity. This is a technical partnership, but it is shaped by shared values rooted in connection, feeling, trust, and energy with everyone focused on finding the right solution for the right project.<\/span>
\nYves Linder:<\/span><\/b>\u202fWe have complementarities because Ottostumm brings expertise in designing bronze systems and profiles and Metallover brings the hands-on experience of shaping, welding and assembling bronze by hand, as it cannot be produced or finished by machines alone or using fully automated processes. Metallover\u2019s workshop culture and manual approach allow the teams to adapt bronze to each project.<\/span>
\nRA:<\/span><\/b>\u202fDesign alone is not sufficient without a partner who understands how bronze behaves when welded, cut, handled and installed, and Metallover has the knowledge and sensitivity needed to do this. We work well because we all have a shared focus on trust, precision and a common understanding of how bronze should be treated and <\/span>manufactured<\/span> in architectural projects.<\/span>\u00a0<\/span><\/p>\n

\"\"<\/p>\n

Could you briefly describe the history of Ottostumm and what distinguishes Ottostumm\u2019s approach to bronze?<\/span><\/b>
\nRA:<\/span><\/b> Ottostumm has spent years refining architectural bronze systems, profiles and techniques. Bronze is not a surface finish or visual upgrade, but a \u201cliving material\u201d. It has its own character, one changes over time, develops a patina, is different in winter and summer, yet remains structurally permanent and never frozen in time. Simply put, we are in love with this material!<\/span>
\nDH:<\/span><\/b>\u202fBronze carries presence, energetic resonance and even soul. It has weight, warmth and tactility. Architectural bronze is not a coating, nor a surface treatment applied to standard profiles. It evolves visually, developing tonal shifts as it interacts with air, light, humidity and time. This quality differentiates bronze from other surfaces and renders it inherently architectural.<\/span>\u00a0<\/span><\/p>\n

What makes bronze such a distinctive material for Ottostumm, both technically and aesthetically?<\/span><\/b>
\nMB:<\/span><\/b> Bronze is not tied to a building typology, but to an intent, whether a restoration, contemporary villa, cultural building, bespoke commission or architect-led residence where material presence matters. Bronze is chosen because it is felt, because a client recognises its beauty, complexity and emotional impact.<\/span>
\nRA:<\/span><\/b> Exactly, bronze belongs to a very small, specialist market, it\u2019s niche of the niche!\u00a0<\/span>\u00a0<\/span><\/p>\n

\"\"<\/p>\n

Please describe the versatility of bronze, and how it can be used in both heritage and contemporary projects?<\/span><\/b>
\nMB<\/span><\/b>:<\/span><\/b> The multifaceted nature of bronze is one of its defining strengths. Ottostumm\u2019s <\/span>Architectural<\/span> Bronze<\/span> profiles are used both in heritage restoration and in contemporary architecture; the same Ottostumm profile can be used to replace heritage joinery in a Venice palazzo or serve as an elegant frame for a modern villa on Lake Geneva. <\/span>
\nRA:<\/span><\/b> Bronze has a duality; it has historical continuity with modern relevance. We call it \u201cdesign without time.\u201d<\/span>\u00a0<\/span>\u00a0<\/span><\/p>\n

On the project side, what ultimately inspires clients to choose bronze?<\/span><\/b>
\nDH: <\/span><\/b>Clients respond to bronze in a way rarely seen with conventional metals. Bronze invites an emotional, almost instinctive reaction that is more about its presence than performance. It turns client discussions from budgets or specifications to atmosphere, intention and identity. When bronze is in a project, people don\u2019t talk about price. They react to the presence.<\/span>
\nMB<\/span><\/b>:<\/span><\/b>\u202fWhen you see something beautiful, you ask what\u2019s behind it\u2026 people see bronze and immediately feel something unique.<\/span>
\nRA:<\/span><\/b>\u202fAt a certain point, clients stop talking about systems, budgets or specifications, and simply feel the energy.<\/span>
\nDH:<\/span><\/b>\u202fThe project sometimes rearranges itself around bronze. It moves from being a detail to being the anchor. However, bronze needs to be incorporated into a project early; when brought in too late, it risks becoming a surface choice or value-added finish. When considered from the outset, it can shape proportion, form, rhythm and spatial hierarchy.<\/span>\u00a0<\/span>\u00a0<\/span><\/p>\n

\"\"<\/p>\n

How do you perceive bronze in Metallover\u2019s day-to-day practice? <\/span><\/b>
\nYL:<\/span><\/b> For Metallover, bronze is both an opportunity and challenge. Unlike aluminium or PVC, it cannot be machine-cut or mechanically assembled. Every weld, corner and joint requires manual judgement, which introduces both risk and the potential for refinement. Its surface does not hide imperfections, it reveals them. This is why bronze cannot be mass-produced, and why Ottostumm entrusts its <\/span>Architectural Bronze<\/span> systems only to select ateliers like ours.<\/span>
\nDH:<\/span><\/b>\u202fSteel and bronze are among the only window types still made by hand; almost everything else is machine-assembled. Every angle, corner and weld takes time, correction and interpretation. Clients may not realise they are looking at something entirely handcrafted.<\/span>\u00a0<\/span><\/p>\n

How has your team integrated new techniques or processes to ensure quality and service when working with bronze?<\/span><\/b>
\nYves:<\/span><\/b> In anticipation of new collaborative projects with Ottostumm, we have integrated new welding protocols, extended fabrication timelines and project-specific assembly tests. Installation is equally critical, as bronze elements must be set with precision, in places where glazing weight, tolerances, climatic movement and material behaviour must all be anticipated.<\/span>\u00a0<\/span>\u00a0<\/span><\/p>\n

\"\"<\/p>\n

What is in store for this exciting joint partnership?<\/span><\/b>
\nDH:<\/span><\/b> We see bronze less as a product, but a shared pursuit of excellence. We are not aiming for massive commercial expansion! We are prioritising projects defined by our shared passion, relevance and long-term architectural value.<\/span>
\nYL:<\/span><\/b> For Metallover, this partnership marks a shift in identity, from steel excellence to architectural bronze craftsmanship. <\/span>
\nMB<\/span><\/b>:<\/span><\/b> And for Ottostumm, it offers a deeper connection between system engineering and built expression.<\/span>
\nDH:<\/span><\/b> When vision, material and craft truly align, it can be felt. There is something different in these bronze projects, something alive with character, energy and soul.<\/span>\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

English version available here. Dans cette interview crois\u00e9e, Yves Linder, CEO, et Daniel Hofmann, Directeur administratif de Metallover SA, \u00e9changent avec Michele Bortolon, CTO, et Rossella Ascione, COO d’Ottostumm | Mogs, au sujet de leur partenariat en pleine \u00e9volution autour du bronze architectural. Plut\u00f4t qu\u2019une relation fournisseur-client classique, ils d\u00e9crivent une collaboration anim\u00e9e par une Lire la suite <\/a><\/span><\/p>\n","protected":false},"author":4,"featured_media":2252,"comment_status":"closed","ping_status":"closed","sticky":true,"template":"","format":"standard","meta":{"_links_to":"","_links_to_target":""},"categories":[3],"tags":[],"yoast_head":"\nBronze et artisanat : Metallover X Ottostumm | Mogs forgent un nouveau partenariat - Metallovernews<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/metallover.ch\/blog\/bronze-et-artisanat-ottostumm-mogs-x-metallover-forgent-un-nouveau-partenariat\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Bronze et artisanat : Metallover X Ottostumm | Mogs forgent un nouveau partenariat - Metallovernews\" \/>\n<meta property=\"og:description\" content=\"English version available here. Dans cette interview crois\u00e9e, Yves Linder, CEO, et Daniel Hofmann, Directeur administratif de Metallover SA, \u00e9changent avec Michele Bortolon, CTO, et Rossella Ascione, COO d’Ottostumm | Mogs, au sujet de leur partenariat en pleine \u00e9volution autour du bronze architectural. 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